"There are also broader cultural and aesthetic problems which have arisen from the piano’s dominating role. When a fretless instrument such as a violin gets introduced into a new culture, it can adapt itself to the indigenous musical language, as for example in India.
When a piano gets introduced, however, the indigenous music must conform to the piano’s tuning system. Historically, the piano has been a kind of “colonizer” in this regard. Moreover, the privileged cultural status of the piano has lent an authority to 12-ET which makes it appear superior and more legitimate than other tuning systems.
The more acclimated we are to hearing almost exclusively equal-tempered music, the more natural it sounds and the less accepting we are of alternatives. Music and instruments which use alternative systems, including non-Western music, are perceived as irrational, archaic, experimental, exotic, or just plain out-of-tune–not just different, but deviant from so-called normal 12-ET."
thanks for the readings! i don’t really know anything about the western music scene in china except that it’s rising, it has prestigious institutions, and that the more peoples’ material conditions improve the more likely they are to study things like music. i think it pretty well demonstrates what actual funding and smart planning can do for musical institutions, as opposed to the many dilapidated institutions of the west. the bit about higher emphasis on things like improvisation, at least in the context of orchestral members, was very interesting. i still stand by the fact that “singlehandedly” is probably a bit hyperbolic, but i could be totally wrong, and in fact i hope i am wrong haha
This is a Dengist community in favor of Bashar al-Assad with no information that can lead to the arrest of Hillary Clinton, our fellow liberal and queen. This community is not ironic. We are Marxists-Leninists.
If you haven’t already found it, this GitHub page is an excellent collection of sources about socialism, imperialism, and other relevant topics, made by @dessalines and others.
thanks for the readings! i don’t really know anything about the western music scene in china except that it’s rising, it has prestigious institutions, and that the more peoples’ material conditions improve the more likely they are to study things like music. i think it pretty well demonstrates what actual funding and smart planning can do for musical institutions, as opposed to the many dilapidated institutions of the west. the bit about higher emphasis on things like improvisation, at least in the context of orchestral members, was very interesting. i still stand by the fact that “singlehandedly” is probably a bit hyperbolic, but i could be totally wrong, and in fact i hope i am wrong haha